So for each of those 280 odd icons, the following sizes were required: 16, 32, 48, 128 px, with application icons requiring a further 256 and 512px version. You end up using little workarounds (such as not making a stroke 1 pixel, but 0.8) in order to achieve crispness.įinally, to be ready for Resolution Independence (and as no one has created vectors that can scaled down effectively as well as up), several versions were required. There are pros and cons with this - Illustrator has handy features such as global colour and selecting elements by same stroke or fill, but when it comes to pixel perfect rendering it’s a pain. One of the requirements of the brief was that the client needed original vector artwork, so for the first time, I used Illustrator to create all the icons, not just the larger application icons. Both apps also have updaters that show them packaged in plastic and brown parcel tape: These were worked through until we arrived at the final icons. At one point we considered a transparent version: However, the child’s block idea was chosen, as Linotype liked how it suggested using the app was ‘childs play’, so this idea was progressed into early vector roughs:Īs you can see, the Linotype L logo was common theme to all ideas, some more subtle than others.
#FONTEXPLORER X PRO ICON UPGRADE#
Whenever you upgrade your operating system we highly recommend backing up Once youve downloaded macOS 11. Amongst the early sketches, I was very keen on an early idea that used a printers wooden draw of metal type: Jim Johnson on Registration Fontexplorer X Pro 4. The first job was to look at the application icons for Pro and Server editions. It was great to be asked to work on an app that I use everyday, and as the project grew, over 280 new icons were created for it, and at several different sizes. Just over 2 years ago, I started work on what turned out to be my largest icon project to date, for the new version of Linotype’s FontExplorer app (or ‘FEX’ as it’s also known).
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